Filmszem

All Items

• A varázstalanított világ ellenpólusa A radikális remény politikai potenciálja Mijazaki Hajao új filmjében

  Csillag Tarnai

  68-71

• Brechtian Sabotage Three Thousand Numbered Pieces (Ádám, Császi, 2022)

  Csaba András

  65–69

• Can a Popular Blockbuster Be Leftist — or Even Anti-Capitalist? Leftist Ideas in Genre Films: Then and Now

  Attila Benke

  39–47

• Escape or Child Rule? The School as Space and Institution in Lesson Learnedand The Teachers’ Lounge

  Barbara Ignácz

  32-44

• Film Gives Us a Chance to Debate What Kind of World We Want to Live In

  Máté Vas, Kamilla Vida

  16-23

• From the End Times to the End of Time Resignation, Nostalgia, and Presentism in Contemporary Pop Culture

  Tamás Csönge

  24-38.

• Oppositional Conscience – Identity Videos in Hegemonic Struggles

  Ferenc Hegedüs

  18-24

• Reconstructing the Agora with Film

  Simon Petri-Lukács

  74–77

• Reflektálatlanság és polgárpukkasztás

  Emese Dorka Mihályi

  72-74

• Seeds in the Soil

  Márton Árva

  31-38

• Sustainable Apocalypse

  Anna Babos

  71–73

• The experience of feminism Barbie (Greta Gerwig, 2023)

  Ferenc Hegedüs

  106-109

• The Meaning of Another Kind of Life

  Norbert Zsupos

  24-30

• The Private Life of Hungary Explanation for Everything (Gábor Reisz, 2023)

  Csaba András

  101-105

• Tomorrow we’ll spin the world on film Director's ars poetica with the left eye

  Máté Konkol

  2–7

• Vaporwave, Nostalgic Reaestheticization and the Cultural Mechanisms of Digital Capitalism

  Aleksandr Shutenkov

  55-63

• Vaporwave, nosztalgikus újraesztétizálás és a digitális kapitalizmus kulturális mechanizmusai

  Aleksandr Shutenkov

  45-54

• When “the best place to be” was “here” and “the best time to be” was “now”. Part I. The Erasure of Historical Consciousness in Time-Travel Films of The 80s and 90s

  Tamás Csönge

  43-53

• When “the best place to be” was “here” and “the best time to be” was “now”. Part II. The Erasure of The Future in Sci-Fi Films of The 80s and 90s

  Tamás Csönge

  78–90

• “Are we having swans?” – Wedding industry, consciousness industry, popular cinema

  Soma Csondor

  6-17

• “Every Path Was Once a River” Art as the Re-enchantment of the World

  Izabella Füzi

  15-23.